Saturday 11 June 2016

Why should art speak to us at an emotional level?

Why should art speak to us at an emotional level?

I have to admit finding inspiration can be difficult and tedious, ideas can come and go as they please- choosing which ones should stay is the tough part. Once you’ve FINALLY elected a theme, you should start setting about the process by using a plan which can be another daunting roller-coaster but well worth it. Nevertheless, your idea should explore what emotions you want your artwork to reveal. Great works of art captures physiology’s basic ideas, they speak to us at a deep, emotional level and great artists know that depicting feelings and mood is more important than precise representations of their subject.



Let’s use something as simple as a bouquet of flowers, bright and colourful flowers draw in a blissful emotion and at the other end of the spectrum. Dark and shady colours are intended to make the viewer feel dejected or angry.


Getting a thought provoking image can illustrate a good story line and these accounts of imagery then stimulate emotions. As an artist, if you can capture an emotion from the viewer then you’ve done your job. Here are some steps to help you translate your idea into a visual image- a tangible image.



First things first, get inspired! Many great artists go through a list of different motivations to get inspired-its valuable to expand your horizons by considering some of the ideas of other artists.

1.     Artists that create as part of a ritual, ceremony or cultural tradition have a specific purpose. This purpose has significance only within the art. 

Clay Matcha Bowl   An example is the Chanoyu or tea ceremony-a ritualized, secular practice in which tea is consumed. The tea is consumed in an intimate setting, allowing the participants to withdraw from the mundane world (tranquility and harmony is felt in this ceremony). Tea practitioners admire the qualities in the glaze, shape and texture of the tea cup and seek to consider if its worthy of artistic merit. These tea cups are created for the purpose of a Japanese cultural tradition.

Clay Matcha Bowl


An example is the Chanoyu or tea ceremony-a ritualized, secular practice in which tea is consumed. The tea is consumed in an intimate setting, allowing the participants to withdraw from the mundane world (tranquility and harmony is felt in this ceremony). Tea practitioners admire the qualities in the glaze, shape and texture of the tea cup and seek to consider if its worthy of artistic merit. These tea cups are created for the purpose of a Japanese cultural tradition.

2.     Artists that form a spiritual concept have the vision to express ‘creation’ which gives meaning to everything in life.

Hindu Temple Spires   Artworks that receive spiritual inspiration and guidance from a divine source convey spiritual messages to the uninitiated masses. Again the sense of peace and harmony are the focus of these pieces of art. A good example of this would be the temples in Hindu and Egyptian cultures, these works of art were carefully designed to symbolize mans path to enlightenment. The top tier or inner most sanctum of the temple represented the attainment of spiritual mastery. Initiates could spend many years meditating on the images to seek and learn the spiritual secrets they encoded.

Hindu Temple Spires

Artworks that receive spiritual inspiration and guidance from a divine source convey spiritual messages to the uninitiated masses. Again the sense of peace and harmony are the focus of these pieces of art. A good example of this would be the temples in Hindu and Egyptian cultures, these works of art were carefully designed to symbolize mans path to enlightenment. The top tier or inner most sanctum of the temple represented the attainment of spiritual mastery. Initiates could spend many years meditating on the images to seek and learn the spiritual secrets they encoded.

3. Many masterful artists felt it was important to record history and many of their paintings will depict a historical event.

Matirio di San Matteo by Carravagio   In the Renaissance era, oil paintings where the means of recording of visual data-telling the “truth” of what happened and what we need to know. Large and dramatic scenes were depicted presenting us with the reality of what occurred in the time of the event evoking intense and powerful emotions.

Matirio di San Matteo by Carravagio

 

In the Renaissance era, oil paintings where the means of recording visual data-telling the “truth” of what happened and what we need to know. Large and dramatic scenes were depicted presenting us with the reality of what occurred in the time of the event evoking intense and powerful emotions.


4.   Teaching using visual language is the motive of some artists, and probably the oldest purpose of art.
Sistine Chapel Stain Glass window   Images were used to teach and to help people remember religious concepts-for centuries the church was the primary patron of many artists. Viewers feel compelled to engage in the learning of the teachings making this kind of art influential in the behavior of others.

Sistine Chapel Stain Glass windo

Images were used to teach and to help people remember religious concepts-for centuries the church was the primary patron of many artists. Viewers feel compelled to engage in the learning of the teachings making this kind of art influential in the behavior of others.


5.   Reflecting on beauty is another way artists speak to their viewers.


Garden Path by Monet    People have broad notions of what is beautiful however there is a uniform opinion to what it is, generally speaking art that is pleasing to the senses will produce blissful emotions.

  Garden Path by Monet


People have broad notions of what is beautiful however there is a uniform opinion to what it is, generally speaking art that is pleasing to the senses will produce blissful emotions.




6.   Provoking others to see something in a new way is another motivation artists have for creating art.


The Scream by Edward Munch. Simulating a reaction or emotion can sometimes force the viewer to see or think differently-having this impact is very powerful as it can propel strong emotions and on occasion's conflict.

The Scream by Edward Munch

Stimulating a reaction or emotion can sometimes force the viewer to see or think differently-having this impact is very powerful as it can propel strong emotions and on occasion’s conflict.



7.   As a narrative painter, I’m hugely influenced by the storytelling process- this would be another motive for artists to produce art.

As a narrative painter, I'm hugely influenced by the storytelling process- this would be another motive for artists to produce art.

Title:
"CALCULATED ORACLE: CAPRICORN"
by Siriaus

www.siriaus.comwww.siriaus.com



Art is a powerful means of storytelling with emotional roller coasters and those who have the ability to tell powerful stories and events in just one picture truly have a great gift.  In this painting I tried to capture a feeling of authority-a character that has absolute power over his subordinates. His godly figure and the deep colours tell us he is someone of supremacy and we should be reluctant to do something for fear of the consequences.
Title:
"EPICUREAN HEDONIST" (Taurus) :Project Member #4
by Siriaus


 "Nothing is enough for the man to whom enough is too little" -Epicureus
Art is a powerful means of storytelling with emotional roller coasters and those who have the ability to tell powerful stories and events in just one picture truly have a great gift.  In this painting I tried to capture a feeling of authority-a character that has absolute power over his subordinates. His godly figure and the deep colours tell us he is someone of supremacy and we should be reluctant to do something for fear of the consequences.
 Title:
"EPICUREAN HEDONIST" (Taurus) :Project Member #4
by Siriaus



 "Nothing is enough for the man to whom enough is too little" -Epicureus

Art is a powerful means of storytelling with emotional roller coasters and those who have the ability to tell powerful stories and events in just one picture truly have a great gift.  In this painting, "The Calculated Oracle", I tried to capture a feeling of authority-a character that has absolute power over his subordinates. His godly figure and the deep colours tell us he is someone of supremacy and we should be reluctant to do something for fear of the consequences.
What emotions do you have when looking at this image?

Obviously, there are many more sources of inspiration for artists-I’ve listed a few but it's up to you to use your imagination and come up with a piece of work that you’re proud of.

As always, I’m interested in seeing your feedback/thoughts, which you can add to the comments area below. If this was a helpful read-do sign up to the newsletter for more related info and share this post via social media. I will be very grateful!

Shakespeare a work of art (in progress)

 Diamonds are a girl’s best friend! A sprinkle of Swarovski crystals and gold leaf ice add a touch of luxury to this oil painting "The Torch doth not burn tonight". Now, that’s a true definition of fine art being at its finest.

•Luxury-Power-Beauty•

It was a long process in creating this beauty-Juliet. Romeo would be proud of her.

This was the process.




"The Torch doth not burn Tonight" (as shown in this blog) is the name of the painting that I first decided to create to start off the production of my first grand collection (entirely based off of Shakespeare's plays). It is a scene from his play "Romeo and Juliet".
Art by Siriaus
Art piece name: "The Torch Doth not Burn Tonight"

"The Torch doth not burn Tonight" (as shown in this blog) is the title of this painting. It's the first painting of the collection I decided to do, the art collection will be based on Shakespeare's plays. It is a scene from his play "Romeo and Juliet".


Every painting that I create is completely conceptualized and starts with a sketch to establish the ideas, composition and values of the scene.

The art collection will be based on Shakespeare's plays. It is a scene from his play "Romeo and Juliet". Every painting that I create is completely conceptualized and starts with a sketch to establish the ideas, composition and values of the scene.
 This can be a long process and requires time and focus.Take a look at the sketch above, it was created to help evolve the painting. 


To view the painting in it's early stage, view my other blog post about the imprimatura/underpainting stage here.


Displayed below are the types of oil paint colour mixtures that were used for the process of creating the roses in the painting. Many paint colour mixtures were created with the intention of achieving a vast array of permutations that could be used for painting. Typically only 50% of the paint mixed is actually used for the painting. If you over-mix your and use larger quantities of paint this can help you save time.This type of process prevents the disruption of your work flow because you aren't constantly stalling and re-mixing any favorable colours repetitively.Your time is much more valuable than the paint. Utilize excess amounts of paint if needed just to get the right colour. Experiment:)

Rublev and Old Holland oil paints are always used for my paintings. Also, a myriad of mediums were mixed with the paint to achieve various levels of consistencies of the paint.
Rublev and Old Holland, Van Gogh,Gamblin Artist's Oil Colors and Vasari Classic Artist Oil Colors oil paints are always used for my paintings.Paint quality should be paramount and anything below professional high quality grade paint pigments (student quality oil paints or even acrylic paint) lack the luster and richness that is required when creating fine art. Also, a myriad of mediums were mixed with the paint to achieve various levels of consistencies of the paint.

Rublev and Old Holland, Van Gogh, Gambline Artist's Colours, and Vasari Classic Artist Oil Colours oil paints are always used for my paintings. Paint quality should be paramount and anything below professional high quality grade paint pigments (student quality oil paints or even acrylic paint) lack the luster and richness that is required when creating fine art. Also, a myriad of mediums were mixed witht he paint to achieve various levels of consistencies of the paint.

These are the only colours I purchase which are initially required to mix into a huge range of colour variations. Of course, the colours displayed in the picture above do not have to be purchased, you could limit your initial palette to only the primary colours (blue, yellow,red).There is no absolute list of colors– it’s all about personal preference. Any of the primaries – red (Quinacridone Red), yellow (Cadmium Yellow), blue (Ultramarine blue), along with white can be mixed to form just about any color. Also, color selection will depend on what you want to paint. 

Displayed are also the tools/brushes that were used during the process.


Displayed are also the tools/brushes that were used during the process.


Winsor & Newton Series 7 Finest Sable brushes are an investment. They last you much more longer than synthetic brushes. In the long run, you end up saving more and paying less visits to the art store. Quality over quantity.
Winsor & Newton Series 7 Finest Sable brushes are an investment. They last you much more longer than synthetic brushes. In the long run, you end up saving more and paying less visits to the art store. Quality over quantity.
Winsor & Newton Series 7 Finest Sable brushes are an investment. They last you much more longer than synthetic brushes. In the long run, you end up saving more and paying less visits to the art store. Quality over quantity. 


Rublev and Old Holland oil paints are always used for my paintings. Also, a myriad of mediums were mixed with the paint to achieve various levels of consistencies of the paint.
Rublev Colours Impasto Putty is an amazing oil painting medium.

Rublev Imasto Putty (Oil Painting Medium) is often used in my paintings to achieve interesting textures and consistencies. It has a rich thick buttery consistency and is made of finely ground calcite, silica and bentonite in bodied linseed oil. What is amazing about this medium is how versatile it is, it can be used to add texture to your paint or even applied on its own.

How can you use this medium on its own?

Well, taking the colour of the medium into consideration will give you an idea. This exquisite medium can be used for skin! When applied thinly to the surface it can give off a skin texture feel especially if you layer thinly like you would while glazing. 

Rublev Impasto Putty (Oil Painting Medium) is often used in my paintings to achieve interesting textures and consistencies. It has a rich thick buttery consistency and is made of finely ground calcite, silica and bentonite in bodied linseed oil. What is amazing about this medium is how versatile it is, it can be used to add texture to your paint or even applied on its own.



Rublev and Old Holland oil paints are always used for my paintings. Also, a myriad of mediums were mixed with the paint to achieve various levels of consistencies of the paint.

Rublev and Old Holland oil paints are always used for my paintings. Also, a myriad of mediums were mixed with the paint to achieve various levels of consistencies of the paint.

Rublev and Old Holland oil paints are always used for my paintings. Also, a myriad of mediums were mixed with the paint to achieve various levels of consistencies of the paint.


Rublev oil painting medium impasto putty was used for the roses to add rich texture.
Shakespeare a work of art (in progress)
"The Torch doth not burn Tonight" (as shown in this blog) is the name of the painting that I first decided to create to start off the production of my first grand collection (entirely based off of Shakespeare's plays). It is a scene from his play "Romeo and Juliet".
"The Torch doth not burn Tonight" (as shown in this blog) is the name of the painting that I first decided to create to start off the production of my first grand collection (entirely based off of Shakespeare's plays). It is a scene from his play "Romeo and Juliet".
Oil painting texture. I used Gamblin's cold pressed wax and thick paint to achieve this texture.


"The Torch doth not burn Tonight" (as shown in this blog) is the name of the painting that I first decided to create to start off the production of my first grand collection (entirely based off of Shakespeare's plays). It is a scene from his play "Romeo and Juliet".
Oil paint on canvas. Swarovski crystals. One more layer of glaze/touch up, and then she will get animated!

What type of procedures do you undertake when creating your art piece? Comment below, I would love to know! 

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